Although
Shakespeare reflects and at times supports the English Renaissance stereotypes
of women and men and their various roles and responsibilities in society, he is
also a writer who questions, challenges, and modifies those representations.
In his time,
Shakespeare seems to be raising questions on what it means to be feminine or
masculine.
Women are
supposed to have the following virtues: obedience, silence, sexual chastity,
piety, humility, constancy, and patience. Shakespeare however, rises above the
stereotypical views of Renaissance society as he portrays women as more than
passive vessels. For Example, in his play Alls well that Ends Well, the
main character Helena is able to get what she wants through modes of deception.
She is able to get Bertram to marry her, and then is further able to trick him
into having sexual intercourse with her in order to keep him as her husband.
Helena in Alls
Well That Ends Well Is projected as an orphaned daughter, yet she possesses
scientific knowledge that allows her to present the king with a cure for his
ailment. By allowing Helena to be educated, Shakespeare is already placing
Helena on a higher social scale than most women were placed on. Helena
challenges these traditional attitudes about gender and sexuality that say that
a woman should be chaste, obedient, and silent. Helena is a schemer, she is the
female version of many of the kings in previous stories and plays. She uses her
intelligence to get what she wants, and ultimately she is able to choose her
husband instead of the other way around.
Both of the women
in these play/poem are unique and are not afraid of a fight. These characters
are unlike any of the other traditional characters, and they pave the road for
more feminist characters that reject societal norms.
For further
readings:
For women’s
monologue’s within Shakespearian plays:
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