I remember learning relationship rules growing up from listening
to love songs and watching multiple movies, in which a specific process was
followed to successfully win over the man or woman one desired.
As I became obsessed with the movie John Tucker Must Die, in which I watched an innocent teen named
Kate entice John with the help from John’s three exes, I realized to develop and
maintain a successful relationship, I needed to adhere to the rules necessary
to win over my man. These girls set out to trick John (as Rosalind tricked
Orlando), in order to win him over. Kate got confused along the way because she
believed she was supposed to be playing hard to get. The other girls scolded
her because they claimed she was past the “playing hard to get phase” the moment
she had John smitten.
I have noticed these relationship rules are not only existent
in modern media but have been present since the works of Shakespeare. Each individual
must follow the patterns in order to achieve love or display and prove the love
they already feel.
In As You Like It, Rosalind
challenges Orlando’s feelings of love by questioning characteristics as ones
associated with love. Rosalind claims Orlando could not officially be in love because he does not portray the symptoms of an
individual in love:
“A lean cheek, which you have not; a blue eye and /sunken, which
you have not; an unquestionable spirit, which/ you have not; a beard neglected,
which you have not—but I pardon you for that—but I pardon you for that, for
simply you having in beard is a/ younger brother’s revenge. Then you hose
should be ungar-/tered, your bonnet unbanded, your sleeve unbuttoned, your/
shoe untied, and everything about your demonstrating a careless/ desolation.
But you are no such man. You are rather point-/ device in your accountrements,
as loving yourself than seeming/ the lover of any other” (3.2.337-346).
Orlando does not meet these standards, and so he has a
hard time convincing Rosalind it was him who posted his love poems on the tree.
Rosalind believes she can cure Orlando from this love sickness and explains
that she has expertise in curing other men by a specific process, “would now
like him, now loathe him; then entertain him,/ then forswear him; now weep for
him, then spit at him,” (3.2.372).
Rosalind shows there is a procedure to undo a person in love
just as individuals follow guidelines to win over their love interest. By
adhering to the relationship rules, such as playing hard to get and then maintaining
and continuing to follow the rules to keep them fascinated, individuals are
likely to succeed in having a long-lasting relationship.
No comments:
Post a Comment